Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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VERMEER VAN DELFT, Jan
The Geographer qr

ID: 09583

VERMEER VAN DELFT, Jan The Geographer qr
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VERMEER VAN DELFT, Jan The Geographer qr


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VERMEER VAN DELFT, Jan

Dutch Baroque Era Painter, 1632-1675  Related Paintings of VERMEER VAN DELFT, Jan :. | The Geographer (detail) jug | A Woman Asleep at Table wet | The Concert (detail) rey | Diana and her Companions ae | The Love Letter (detail) kyi |
Related Artists:
Paul Emmert
Paul Emmert (1826-1867) , who is also known as Paul Emert, was an artist born near Berne, Switzerland in 1826. By 1845, he had become an established artist in New York. He joined the gold rush to California in 1849. The following year he exhibited in Brooklyn a panorama of the gold mining activities before making his second trip to California late in 1850. While in California, he operated the Bear Hotel in Sacramento and exhibited the panorama in San Francisco and other communities. In 1853 he moved to Hawaii where he resided until his death in 1867 in Honolulu.
Eugene Laermans
painted Women Bathing in 1907 1864-1940
Jean Baptiste Isabey
French Painter, 1767-1855, Painter, draughtsman and printmaker. He trained in Nancy with Jean Girardet (d 1778) and then with Jean-Baptiste-Charles Claudot (1733-1805), master of the miniaturist Jean-Baptiste Augustin. In 1785 he went to Paris, where he began by painting snuff-boxes. In 1786 he received lessons from the painter Francois Dumont, who had also studied with Girardet in Nancy, before entering the studio of David. Although he had received aristocratic commissions before the Revolution to paint portrait miniatures of the Duc d'Angouleme and Duc de Berry and through them of Marie-Antoinette, he did not suffer in the political upheavals that followed. He executed 228 portraits of deputies for a work on the Assemblee Legislative and from 1793 exhibited miniatures and drawings in the Salon. Success came to him in 1794 with two drawings in the 'maniere noire', The Departure and The Return. This type of drawing, using pencil and the stump to simulate engraving, was very fashionable in the last years of the 18th century and reached its peak with Isabey's The Boat






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